Then shift the notes down an octave in Finale after you read the MIDI file. With luck, that won't mess up the formatting of the score. If that guess is correct, a "fairly simple" workround would be shift the pitch up an octave in Sib, write the midi file, and shift it down again. So the note numbers would all be 12 less than you hoped they were. I expect the data in the MIDI file gives the sounding pitch of the notes, not the written pitch. > So if Im reading this correctly it seems it should select one staff, with the treble clef, as all of your notes are above Midi key number 47, although sounding an octave lower-your example goes from midi key number 52 to 86 according to this chart: If the notes in the track don’t fall into either category, Finale transcribes them onto two staves, splitting them into treble- and bass-clef staves using F below middle C as a split point." If all notes are below key 72 (C above middle C), it selects the bass clef. If all the notes of the track are above MIDI key number 47 (that’s B a ninth below middle C), it selects the treble clef. > Technical note: Finale selects a clef as follows. Im not sure if that helps,at all but hopefully someone using Fin will chime in. So if Im reading this correctly it seems it should select one staff, with the treble clef, as all of your notes are above Midi key number 47, although sounding an octave lower-your example goes from midi key number 52 to 86 according to this chart: Technical note: Finale selects a clef as follows. " In fact, if the notes have such a wide range that it wouldn’t be appropriate to place them all on one staff, Finale splits the track into two staves with different clefs. (If it discovers that the notes in a track have a very wide range, it will automatically notate its contents on two staves." In either case, Finale will choose a clef for each resultant staff based on the range of notes in the track.
If you click Channels Become Staves, the contents of each MIDI channel (regardless of their track assignments) become a Finale staff. If you click Tracks Become Staves, each sequencer track becomes a Finale staff. "Specify the way in which you want the MIDI file extracted onto Finale staves.
#Midi file split midikit mac
I did see this s from Fin 2012 Mac concerning Midi import:
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